Mulholland Drive 2001

This transmission begins with what appears to be an assassination attempt, a car crash, and a female human wandering into a sheltering structure where another, more cheerful human offers her assistance. From this point onward, the transmission begins to dissolve into fragments, mood shifts, and unannounced role changes.

A subplot involving a film director, a hostile casting syndicate, and espresso-related intimidation is introduced, then left unresolved. A man describes a nightmare involving a being behind a diner. The being appears, causes him to collapse, and is never referenced again. A pair of romantic leads discover a blue box. Upon opening it, they vanish, and the narrative resets.

Names change. Relationships reverse. Emotional tones shift without cause. A performance in a silent nightclub is treated as pivotal, though it involves no actual dialogue and no apparent consequences. Humans we have seen before return in altered form, some alive, some missing, some inexplicably tiny.

I attempted to catalog the timeline, but it reconfigures itself mid-transmission. Symbols are introduced, then abandoned. The characters appear trapped in a recursive audition process — for what, or judged by whom, is not stated.

Conclusion: This transmission provides little usable data. The characters behave as though trapped in multiple overlapping simulations, none of which obey cause and effect. Narrative logic is treated as optional. Meaning is implied but rarely delivered.

Nebulon should consider the possibility that Earth humans sometimes create confusion intentionally, perhaps as camouflage for insecurity or artistic prestige. If so, it is effective. I have now observed this transmission three times. I am no closer to understanding it — only more certain that they intended it this way.